Maximum Speed: use the slider to adjust the speed of the pointer when you use Mouse Keys. Ignore trackpad when mouse keys is on: will turn off the trackpad when Mouse Keys is turned on. Back to Motor Skills Keywords: input devices, keyboard, Mac OS accessibility, mouse, Mouse Keys, universal access. Find resource-hungry processes. Some apps are more power-hungry than others and can slow your. Ultra-durable keys tested to 50 million keystrokes 5 times life cycle than your rubber dome one The mechanical switches Outemu are designed for longevity with greater durability and responsiveness. The Mechanical Keys offer medium resistance, with tactile and quiet clicking sound, precise tactile feedback for ultimate Gaming performance. Is it just me, or do other people find that the left and right arrow keys on MacOS are unusually slow for editing text? Compared to my Windows machines, positioning the cursor with left/right arrow keys seems to take twice as long on the Mac. The up/down arrows seem to. Change the speed and key of any song! Pitch Switch is the fast, easy way to change the tempo or key of virtually any music file on PC or Mac. Just open up your favorite music and use the 'Pitch' and 'Tempo' sliders. Like magic your songs are automatically adjusted to suit your needs, right before your ears!
World's Champion Radio Telegrapher
The Man, The Legend and The Keys
by Neal McEwen, K5RW
Copyright © 1997 Neal McEwen
Theodore R. McElroy lives on, almost 40 years after his passing. Hisability to copy code made him a legend in his own time and the keys hemade serve as reminders of his accomplishments. The photo at the left wastaken in a Life Magazine photo op in 1962 and shows McElroy with his AmericanMorse practice sets. Notice the Prince Albert can in the resonator box!
Born in Boston in 1901, Ted went to work for Western Union as a messengerboy at age 14. The telegraph operators taught him American Morse and byage 15 he was working the wires. During W.W.I he was a civilian operatorat Camp Devins.
Shortly after the war, McElroy went to work for WSO, one of RCA's transoceanicwireless stations. There he worked the Morse wires until he learned theInternational Morse code used in wireless work. Until 1920 he worked thewireless circuits to POZ in Nauen, Germany and LCM in Stavanger, Norway,keying the giant Alexanderson alternators on 20,000 Meters. Ted statedthat the signals were so strong that it was almost likeworking an 'iron wire.' Ted returned to Boston to work for Western Uniononce again.
In 1922 McElroy entered his first code copying contest and won handsdown, winning at a speed of 56 words per minute (WPM). From thenon he was untouchable. He was beaten in 1934, but regained the championshipin 1935. At his last official competition in 1939 in Ashville, North Carolina,he won with a speed of 77 WPM. This Continental code record was untouchablefor almost 60 years and was only recently challenged. Ted also was theAmerican Morse code champion and Japanese Kanji code champion.
Ted's phenomenal success at copying code was due in part to this abilityto type. He could type 150 WPM as recorded by his seventh grade typingteacher! He remarked once that he could type three letters for every letterthat his secretary typed. Needless to say, he also won typing contests.
In 1934, Ted started his own business manufacturing telegraph equipment.The first key to come out of the McElroy factory was called the MAC-KEY.The base, mainframe and posts were a one piece casting. This design helpedto eliminate vibrations and the need for frequent adjustments. The 'Tee-Bar'across the top of the frame served several purposes. First it was an integralpart of the frameholding the trunion pin. Second, it provided a convenient means for theprofessional operator to carry his key to and from a shift. The fingerswere merely curled under the bar and the key lifted. Third, though probablyseldom used, it allowed the key to be turned on its side; once the pendulumwas locked with the damper post clip, the MAC could be used as a hand key.
Many MAC-KEYs were made. The topmost image is the third variation introducedin 1936. They were heavy and rugged and once adjusted required little maintenance.Many MAC-KEYs are still in service today. One of McElroy's many refinements,was his 'dot stabilizer.' This was a small assembly fitted to the pendulum,which pre-loaded the dot spring. This slight amount of pre-loading gavesmoother and better weighted dots, while eliminating contact bounce.
Sara, if you do sort out your licence then there is a good chance CS6 will actually run on your brand new Mac.Unfortunately there are a few people on these forums who endlessly repeat their 'CS6 will not work because it is not supported' mantra and 'it's a huge risk using CS6'. I use both versions every day and CC gives me far more problems.The beauty of CS6 is that what you see is what you get and it just runs, whereas CC2017 is constantly having new bugs added.Those of us who have stuck with CS6 and have it running beautifully on the latest Macs under the latest MacOS (Sierra) are referred to by them as 'lucky' - perhaps because we have software with very few bugs that runs very fast. It is just their opinion and has no basis in fact - reinforced by the fact that they can never qualify why it won't work or why it is a huge risk.Running the latest CC2017 is just as much a risk - or more of a risk if you read these forums and see the amount of people having problems with it.
The MAC-KEY was the first of many models. In 1937, a modified designwas introduced. Several of the new models were advertised in the December1937 issue of QST. These keys were labeled with an inscription attestingto the skill of the maker. See the image at the left. The top ofthe line model had a simulated marble finished base and chrome upper parts.This Deluxe model, shown above, sold for $9.50; wouldn't you like to findone today for that price! The Standard model had a black wrinkle finishand nickeled upper parts. It sold for $7.50. The Junior Model, very, veryrare, had the same working parts as the Standard model, but was on a stampedsteel base and sold for $4.95.
Even though other manufacturers were doing so, McElroy preferred notto make a chrome based model. 'I know as an operator of about 25 yearsexperience that it is very poor practice to have a chrome or nickel platedbase on a key. Light reflection from such a base is a severe strain onan operator's eyes.' This was so stated in a McElroy flyer dated 1938.Ted would later go against these very words. Read on! There were also fourmodels of hand keys ranging in price from $1.20 to $2.25.
Just before W.W.II, the famous McElroy 'teardrop' bug appeared. Thesekeys are popular collectors items because of the unusual shape of the base.The 'art deco' base resembles a flatiron or tear drop. Some operators calledthem 'flatiron' bugs. The 'teardrop' was available with platinum contactsfor the very competitive price of $11.85. The model with silver contactswas slightly less. Many CW men thought McElroy's sanity should be questionedbecause of the unconventional design. However, in spite of all the catcalls, this was one of the finest handling semi-automatics built. The 'teardrop'bug shown in the in the image saw duty on a DC-3 flying Pan American routes.It isoften forgotten that commercial aircraft has a Flight Radio Officer ofFRO as they were called. Notice the suction cup feet on this bug that keepit on the FRO's table. The teardrop shaped hand keys also appeared at thistime. Two models, one with a metal base and one with a plastic base areshown below. The key with the plastic base has raised letter with a testimonialsimilar to the inscription on the bug label shown above.
In the late 30s, McElroy traveled the country giving code copying demonstrations.He loved to put on a show and thrived on attention paid to him. One ofhis favorite tricks was to stop in the middle of a high speed run, drinka glass of water, and resume copy without missing any text. Ted was inDallas in 1939, putting on a demonstration of his remarkable abilitiesin front of the Dallas Amateur Radio Club. Afterwards, he opened a casefull of keys and sold a bunch of them. McElroy worked with noted code instructorWalter Candler, giving demonstrations and teaching the 'Candler Method'as advertised in QST.
During W.W.II, Ted made telegraph apparatus for Uncle Sam. Ted and his'gang' produced more such gear for the Allies than any other company. Theyreceived the Army - Navy 'E' Award for excellence and were able to completemany contracts ahead of schedule. Ted rewarded his 'gang' with partiesand jam sessions. Morale was high and the employees had fun. McElroy evenmade J-38s, the famed bakelite based key made by many contractors for theArmy during W.W.II.
After the war, McElroy continued to manufacture automated high speedtelegraph apparatus. A former employee related that Ted could adjust theinstruments sending at a speed of 100 WPM, when others in the factory hadto use an oscilloscope! In 1955, he sold the company and went into semi-retirement.He later became a manufacture's representative and even dabbled in localpolitics. It is said that during this time, Ted liked to give telegraphkeys to his friends as gifts. He passes away in his native Boston in 1963.
Speed Keys For Microsoft Word
As long as there are those that are interested in the code and keys,McElroy the man, the legend and his keys will be remembered.
Speed Keys For Mac Os
For more information, visit the TelegraphOffice home page
Copyright © 1997 Neal McEwen
Theodore R. McElroy lives on, almost 40 years after his passing. Hisability to copy code made him a legend in his own time and the keys hemade serve as reminders of his accomplishments. The photo at the left wastaken in a Life Magazine photo op in 1962 and shows McElroy with his AmericanMorse practice sets. Notice the Prince Albert can in the resonator box!
Born in Boston in 1901, Ted went to work for Western Union as a messengerboy at age 14. The telegraph operators taught him American Morse and byage 15 he was working the wires. During W.W.I he was a civilian operatorat Camp Devins.
Shortly after the war, McElroy went to work for WSO, one of RCA's transoceanicwireless stations. There he worked the Morse wires until he learned theInternational Morse code used in wireless work. Until 1920 he worked thewireless circuits to POZ in Nauen, Germany and LCM in Stavanger, Norway,keying the giant Alexanderson alternators on 20,000 Meters. Ted statedthat the signals were so strong that it was almost likeworking an 'iron wire.' Ted returned to Boston to work for Western Uniononce again.
In 1922 McElroy entered his first code copying contest and won handsdown, winning at a speed of 56 words per minute (WPM). From thenon he was untouchable. He was beaten in 1934, but regained the championshipin 1935. At his last official competition in 1939 in Ashville, North Carolina,he won with a speed of 77 WPM. This Continental code record was untouchablefor almost 60 years and was only recently challenged. Ted also was theAmerican Morse code champion and Japanese Kanji code champion.
Ted's phenomenal success at copying code was due in part to this abilityto type. He could type 150 WPM as recorded by his seventh grade typingteacher! He remarked once that he could type three letters for every letterthat his secretary typed. Needless to say, he also won typing contests.
In 1934, Ted started his own business manufacturing telegraph equipment.The first key to come out of the McElroy factory was called the MAC-KEY.The base, mainframe and posts were a one piece casting. This design helpedto eliminate vibrations and the need for frequent adjustments. The 'Tee-Bar'across the top of the frame served several purposes. First it was an integralpart of the frameholding the trunion pin. Second, it provided a convenient means for theprofessional operator to carry his key to and from a shift. The fingerswere merely curled under the bar and the key lifted. Third, though probablyseldom used, it allowed the key to be turned on its side; once the pendulumwas locked with the damper post clip, the MAC could be used as a hand key.
Many MAC-KEYs were made. The topmost image is the third variation introducedin 1936. They were heavy and rugged and once adjusted required little maintenance.Many MAC-KEYs are still in service today. One of McElroy's many refinements,was his 'dot stabilizer.' This was a small assembly fitted to the pendulum,which pre-loaded the dot spring. This slight amount of pre-loading gavesmoother and better weighted dots, while eliminating contact bounce.
Sara, if you do sort out your licence then there is a good chance CS6 will actually run on your brand new Mac.Unfortunately there are a few people on these forums who endlessly repeat their 'CS6 will not work because it is not supported' mantra and 'it's a huge risk using CS6'. I use both versions every day and CC gives me far more problems.The beauty of CS6 is that what you see is what you get and it just runs, whereas CC2017 is constantly having new bugs added.Those of us who have stuck with CS6 and have it running beautifully on the latest Macs under the latest MacOS (Sierra) are referred to by them as 'lucky' - perhaps because we have software with very few bugs that runs very fast. It is just their opinion and has no basis in fact - reinforced by the fact that they can never qualify why it won't work or why it is a huge risk.Running the latest CC2017 is just as much a risk - or more of a risk if you read these forums and see the amount of people having problems with it.
The MAC-KEY was the first of many models. In 1937, a modified designwas introduced. Several of the new models were advertised in the December1937 issue of QST. These keys were labeled with an inscription attestingto the skill of the maker. See the image at the left. The top ofthe line model had a simulated marble finished base and chrome upper parts.This Deluxe model, shown above, sold for $9.50; wouldn't you like to findone today for that price! The Standard model had a black wrinkle finishand nickeled upper parts. It sold for $7.50. The Junior Model, very, veryrare, had the same working parts as the Standard model, but was on a stampedsteel base and sold for $4.95.
Even though other manufacturers were doing so, McElroy preferred notto make a chrome based model. 'I know as an operator of about 25 yearsexperience that it is very poor practice to have a chrome or nickel platedbase on a key. Light reflection from such a base is a severe strain onan operator's eyes.' This was so stated in a McElroy flyer dated 1938.Ted would later go against these very words. Read on! There were also fourmodels of hand keys ranging in price from $1.20 to $2.25.
Just before W.W.II, the famous McElroy 'teardrop' bug appeared. Thesekeys are popular collectors items because of the unusual shape of the base.The 'art deco' base resembles a flatiron or tear drop. Some operators calledthem 'flatiron' bugs. The 'teardrop' was available with platinum contactsfor the very competitive price of $11.85. The model with silver contactswas slightly less. Many CW men thought McElroy's sanity should be questionedbecause of the unconventional design. However, in spite of all the catcalls, this was one of the finest handling semi-automatics built. The 'teardrop'bug shown in the in the image saw duty on a DC-3 flying Pan American routes.It isoften forgotten that commercial aircraft has a Flight Radio Officer ofFRO as they were called. Notice the suction cup feet on this bug that keepit on the FRO's table. The teardrop shaped hand keys also appeared at thistime. Two models, one with a metal base and one with a plastic base areshown below. The key with the plastic base has raised letter with a testimonialsimilar to the inscription on the bug label shown above.
In the late 30s, McElroy traveled the country giving code copying demonstrations.He loved to put on a show and thrived on attention paid to him. One ofhis favorite tricks was to stop in the middle of a high speed run, drinka glass of water, and resume copy without missing any text. Ted was inDallas in 1939, putting on a demonstration of his remarkable abilitiesin front of the Dallas Amateur Radio Club. Afterwards, he opened a casefull of keys and sold a bunch of them. McElroy worked with noted code instructorWalter Candler, giving demonstrations and teaching the 'Candler Method'as advertised in QST.
During W.W.II, Ted made telegraph apparatus for Uncle Sam. Ted and his'gang' produced more such gear for the Allies than any other company. Theyreceived the Army - Navy 'E' Award for excellence and were able to completemany contracts ahead of schedule. Ted rewarded his 'gang' with partiesand jam sessions. Morale was high and the employees had fun. McElroy evenmade J-38s, the famed bakelite based key made by many contractors for theArmy during W.W.II.
After the war, McElroy continued to manufacture automated high speedtelegraph apparatus. A former employee related that Ted could adjust theinstruments sending at a speed of 100 WPM, when others in the factory hadto use an oscilloscope! In 1955, he sold the company and went into semi-retirement.He later became a manufacture's representative and even dabbled in localpolitics. It is said that during this time, Ted liked to give telegraphkeys to his friends as gifts. He passes away in his native Boston in 1963.
Speed Keys For Microsoft Word
As long as there are those that are interested in the code and keys,McElroy the man, the legend and his keys will be remembered.
Speed Keys For Mac Os
For more information, visit the TelegraphOffice home page
Neal McEwen, k5rw@telegraph-office.com
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